Collections
Seasons of Haute Couture
From the Moscow debut in 2011 to the Atlantis the Royal show in Dubai, 2025.
The Maison now releases several collections a year, develops demi-couture and accessories, and remains true to a philosophy uniting history, handcraft and a contemporary take on Haute Couture.
2021
2 collections
Spring–Summer 2021
Haute Couture
The House's tenth anniversary. Vera Kholodnaya, the sculptures of Chiparus, the graphics of Erté. A record number of crafts brought together for the first time.
Fall–Winter 2021
Haute Couture
The first collection after the House was granted corresponding-member status by the Syndicale. The nature of Karelia, the architecture of Kizhi Pogost. A film in place of a runway show.
2020
2 collections
Spring–Summer 2020
Haute Couture · Hôtel Mona Bismarck
The film What a Way to Go! (1964) and Truman Capote’s Black and White Ball (1966). Love stronger than money: coats made of “banknotes” from the Bank of Ulyana Sergeenko, feline motifs throughout.
Fall–Winter 2020
Haute Couture
Nostalgia and golden-age Hollywood. Natalia Vodianova chose a dress from this collection for her wedding to Antoine Arnault.
2019
2 collections
Spring–Summer 2019
Haute Couture · Théâtre Marigny
Sholokhov as a statement on female strength and sisterhood. Cossack shirts, tiered skirts, boots on a hidden platform.
Fall–Winter 2019
Haute Couture
An anniversary collection. A journey to Samarkand: chapan robes, harem trousers, poppy and belladonna motifs in place of the House's usual rose.
2018
2 collections
Spring–Summer 2018
Haute Couture · Place Vendôme
An exhibition-presentation on Place Vendôme. A reimagining of Russian porcelain motifs.
Fall–Winter 2018
Haute Couture · Embassy of the Russian Federation
A composite image of the First Lady — Raisa Gorbacheva, Jacqueline Kennedy, Princess Diana. Shown at the Russian Embassy in Paris.
2017
2 collections
Spring–Summer 2017
Haute Couture
Russian folklore and the novels of Bulgakov. Magical realism. A collaboration with Edward Enninful marking a strategic shift toward a more universal language.
Fall–Winter 2017
Haute Couture
The aesthetics of 1940s film noir and the postwar Soviet era. Gangsters, femmes fatales — and, on the moodboard, a photograph of Sergeenko's own grandmother.
2016
2 collections
2015
2 collections
Spring–Summer 2015
Haute Couture
The distinctive culture and crafts of Georgia and Armenia, the films of Parajanov, feathered burkas, rooster-shaped bags.
Fall–Winter 2015
Haute Couture
A romanticized fantasy of former aristocrats who kept their chic amid the cramped circumstances of a communal apartment.
2014
2 collections
2013
2 collections
