The aesthetics of 1940s film noir and the postwar Soviet era. Gangsters, femmes fatales — and, on the moodboard, a photograph of Sergeenko's own grandmother.
Inspired by the dark aesthetics of 1940s film noir and the postwar Soviet era, the collection told a dramatic story of gangsters and femmes fatales. Its moodboard drew on stills from classic films, photographs of postwar Soviet life, and even a snapshot of Sergeenko's own grandmother.
The House once again demonstrated its virtuoso command of cut, with accented shoulders and a refined waist realized in tailored suits and sumptuous mink and fox coats, alongside masterful detailing — pearl appliqués, delicate lace trim.
